___________________________
Rhizome Intermezzo No. 2 (2023)
Real-Time Lapse (2023)
Rhythm AI (2023)
Extemporization w/ Eucalyptus (2023)
EAR Forest (2023)
Hive Radio: 88.3MHz (2023)
Thesis for Eco-Acoustic Avowal (2023)
Cacti Cartridge Music (2023)
Black Poplar: 89.6 MHz (2022)
Biodegradable Sound: Gelatin Records (2022)
Extemporization w/ Tilia (2022)
Grass Intaglio x Grass-Lapse (2021)
Study of Artist's Microbiome (2020)
Rhizome Intermezzo (2021)
Performance for Lumpen Radio (2021)
Encountering the Non-Human (2020)
Bio-Oscillations (2019)
Extemporization w/ Strangler Fig (2019)
De-Arborescence (2019)
Recitation for Begonia, Euphorbia, and Guiana (2018)
"Oak Leaves are Hands" Heard as an Oak Tree (2018)
Sounding Structures: Marina City (2018)
Stop and Talk to the Roses (2018)
(312) 755- 8548 (2017)
Sound Sculpting: Penicillium & Chaetomium 60Hz (2017)
Shear Pleasure (2015)
Texts
Statement
Bio
CV
Contact
Dann Disciglio
___________________________
Rhizome Intermezzo No. 2 (2023)
Real-Time Lapse (2023)
Rhythm AI (2023)
Extemporization w/ Eucalyptus (2023)
EAR Forest (2023)
Hive Radio: 88.3MHz (2023)
Thesis for Eco-Acoustic Avowal (2023)
Cacti Cartridge Music (2023)
Black Poplar: 89.6 MHz (2022)
Biodegradable Sound: Gelatin Records (2022)
Extemporization w/ Tilia (2022)
Grass Intaglio x Grass-Lapse (2021)
Study of Artist's Microbiome (2020)
Rhizome Intermezzo (2021)
Performance for Lumpen Radio (2021)
Encountering the Non-Human (2020)
Bio-Oscillations (2019)
Extemporization w/ Strangler Fig (2019)
De-Arborescence (2019)
Recitation for Begonia, Euphorbia, and Guiana (2018)
"Oak Leaves are Hands" Heard as an Oak Tree (2018)
Sounding Structures: Marina City (2018)
Stop and Talk to the Roses (2018)
(312) 755- 8548 (2017)
Sound Sculpting: Penicillium & Chaetomium 60Hz (2017)
Shear Pleasure (2015)
Texts
Statement
Bio
CV
Contact
Stop and Talk to the Roses (2018)
