I am a transdisciplinary artist whose research examines how naturalism and humanism are reconfigured through the deliberate entangling of biological and computational systems, producing emergent modes of perception, embodiment, and relation. My work develops apparatuses, interfaces, and prostheses that allow audiences to access forms of subjectivity and temporality that are otherwise humanly inaccessible. I work with and for non-human subjects — trees, plants, bees, bacteria, and increasingly AI models — to explore how ecological and technological forms complicate the limits of human sensing and affect. In my practice, these entities function not as metaphors for one another but as parallel interlocutors: each offers a way of understanding the world that challenges anthropocentric assumptions and expands the frameworks through which we experience the non-human. Through this ongoing research, I create installations, performances, and inquiry-driven works that invite audiences to encounter the world differently — sensibly, acoustically, vitally, ontologically — according to the technē of the artwork itself.